REVIEW: Demonstrating that truth is stranger than fiction, the grisly tale of Sweeney Todd, the demon barber of Fleet Street, is based on the story of an 18th century mass murderer in London

And unpleasant though the subject is, this touring production from the Watermill Theatre, Newbury is something special.

Each of the cast of nine combines the skills of actor, singer, and instrumentalist.

They are their own orchestra and they are frequently called upon to sing and play and act all at the same time, and it is fascinating to watch the skilful logistics as they also manipulate the props without a pause in seamless action.

Todd is a man bent on vengeance, for which the plot gives him ample cause, although Paul Hegarty's chillingly clinical performance leaves little room for sympathy.

In his barber's shop above an ailing pie shop and his killing spree begins, aided by Mrs Lovett who suggests a convenient way of disposing of the bodies and solving her meat shortage problem at the same time.

Karen Mann as Mrs Lovett revels in the black humour and melodrama.

The cast is aided by some brilliant lighting which turns the stage blood red with each dastardly deed.

It is a very operatic work and John Doyle has choreographed the actors' movements in a way which minimises the visible violence but maximises the horror.

The production is on tour for another few months. If you don't mind the gore, catch the show if you can.

Jo Bayne

Sweeney Todd by Stephen Sondheim and Hugh Wheeler

Bath Theatre Royal